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Friday, December 10, 2010

Flavor of the week #50

Scuba
www.myspace.com/paulhotflush
( ;D --> Scuba, aka Paul Rose, has been at the forefront of the dubstep scene since its birth. Having founded the innovative and influential Hotflush Recordings label in 2003, he has continually brought colour and depth to an advancing genre, expanding its sonic structure and increasing its influence on the wider electronic scene. Through Scuba and seminal work by central figures including Distance, Vex d and more recently Mount Kimbie and Joy Orbison, Hotflush remains crucial to the immediate moment and the developing future of the most exciting aspects of electronic music.)
Triangulation
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( ;D --> Following the first Scuba album, A Mutual Antipathy (2008), and the more recent Aesaunic EP (2009), this album takes the Scuba sound to a new level. The collision of dubstep and techno has produced startling music from a wide range of producers in the last few years, none more than Scuba, and that has been well documented. But Triangulation moves past the dubstep/techno axis and into new territory. Working at multiple tempos, the album covers an area ranging from house to experimental drum n bass while retaining the Scuba sound that has become so distinctive. You Got Me and So You Think You re Special, released as an advance 12 , reflect the range of the album with the huge bass and frenetic energy of the former contrasting with the melancholic atmospheres and melodies of the latter. The listless beauty of Before, the aggressively percussive Minerals and the hyperactive electro of On Deck provide further stylistic variation, but this is not simply a collection of tracks for the best sonic results this album should be listened to in full.)
RA.198 Scuba vs SCB
www.residentadvisor.net/podcast-episode.aspx?id=198
Sub: Stance
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A Mutual Antipathy
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Lights Out
www.youtube.com/watch?v=9FlVrJOeD80


Meat beat manifesto
www.myspace.com/meatbeatmanifesto
www.meatbeatmanifesto.com
( ;D --> Meat Beat Manifesto have been perfecting their techno sound since 1987 and have been major influencers on trip-hop, as well as drum and bass along the way. MBM’s latest album, Answers Come in Dreams, was just dreleased via Metropolis Records together with their new video for “Waterphone”. Juxtaposing vintage film footage—among some of the earliest recorded by the first mo
vie cameras of the turn-of-the-century—with their hyper-modern electro beats, “Waterphone” is both artsy and cerebral.)
Answers Come in Dreams
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Waterphone
www.youtube.com/watch?v=RnydQsl44Go&feature=player_embedded#!
Se also:
http://barlemusic.blogspot.com/2009/01/flavor-of-week-4_18.html
And:
http://barlemusic.blogspot.com/2008/08/flavor-of-week-33.html
And:
http://barlemusic.blogspot.com/2008/01/flavor-of-week-3.html


Einstürzende Neubauten
www.myspace.com/neubauten
www.neubauten.org
( ;D --> Einstürzende Neubauten (German pronunciation: ['a?n??t??ts?nd? 'n???ba?t?n], Collapsing New Buildings) is a German experimental band, originally from West Berlin, formed in 1980. The group currently comprises Blixa Bargeld (lead vocals, guitar, keyboard), Alexander Hacke (bass, guitar, vocals), N.U. Unruh (custom-made instruments, percussion, vocals), Jochen Arbeit (guitar and vocals), and Rudolf Moser (custom-built instruments, percussion, and vocals). One of their "trademarks" is the use of custom-built instruments, predominantly made out of scrap metal and building tools, and noises, in addition to standard musical instruments.)
Strategies Against Architecture, Vol. 4
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http://pitchfork.com/reviews/albums/14891-strategies-against-architecture-vol-4/
Se also:
http://barlemusic.blogspot.com/2008/05/flavor-of-week-20.html
And:
http://barlemusic.blogspot.com/2007/09/flavor-of-week-38.html


Marek Hemmann
www.myspace.com/marekhemmann
www.marekhemmann.com
( ;D --> Marek Hemmann has grown into the electronic music as a hunter, collector and true connoisseur of tones and sonics. It all began in the beginning of the 90’s with a guitar whose sonic spectrum was far too limited for him. The discovery of the samplers and the synthesizers suddenly opened new possibilities where the acoustic world could be conserved; it was now possible with sound and noise on synthesizers to create what the human ear has never before experienced. The reason for the sonic passion was delivered to him via the techno parties late 90’s in his home area of Gera which was soon a weekly anchor for electronic experimentation.)
In Between
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Pouppee Fabrikk
www.myspace.com/pouppeefabrikk
www.pouppee-fabrikk.com  
( ;D --> Pouppée Fabrikk is a Swedish EBM band, started in 1988 by Henrik Björkk and Leif Holm, who both hail from Karlskoga. Initially, the music of Pouppée Fabrikk (PF) borrowed heavily from minimalistic electronic acts such as Deutsch Amerikanische Freundschaft and Nitzer Ebb, but with the addition of Jouni Olilla and Jonas Aneheim on guitar PF moved towards a more Die Krupps-style electronic/metal mix. The "Your Pain - Our Gain" CD was meant to be released in 1996, but due to differences in opinion between the band and the record company (Energy Rekords) it was delayed until 1999. In 1996 the band decided to take a break and PF was put on hold and the band members worked on various solo projects. In 2000 the band re-united for a gig at the Tinitus Electronic Festival and announced that they were making a comeback and returning to their roots. They released a four track mini CD entitled "Elite Electronics". A year later though, both Jouni and Henrik left the band to concentrate on their respective solo careers. PF disbanded shortly afterwards. After seven years of absence from the scene the band reunits in 2009, Christian R filling the place of former member Jouni Ollila. In October 2010, they once again re-united for a gig; this time at Bodyfest on Fryshuset.)
Symtom (sample)
www.youtube.com/watch#!v=Dj7Re5aSvBY&feature=related
( ;D --> Studio work in progress; PF studio pre-production for the coming release 2010.5 Demoversion of the track "Symptom".)
Betrayalizer @Bodyfest 2010 (Stockholm, 10/10-2010)
www.youtube.com/watch?v=Tk5CO6Ms93U

Over And Out

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